How did you get into
Nollywood?
I
was there some years
ago, in 1996 and I
played some very
good roles; actually
lead roles but I
left because I was
in school at the
same time and it was
clashing with school
so I needed to
choose which one I
was going to do at
that moment. I felt
the industry was
there, its not
running away but
school I need to
finish because I did
not want to be a
dropout. I finished
school then I got
married right after
school so I
relocated out of the
country. While I was
there every time I
watched Nigerian
films I was like 'oh
look at my
colleagues, if I was
there I would do
this or that' and I
just wasn't happy.
We decided to back
home and I knew I
had to do this
because nothing else
would make me happy.
I
actually got a job
offer in an oil
company, I went for
the interview and my
heart was pounding
and I was wondering
'what am I doing
here? This is not my
life,' and so I
left. I didn't take
the job even though
they offered me more
money than what the
person that finally
got the job got,
this was because
they really wanted
me. After that I
started trying to
get back into the
industry and it was
the most difficult
thing I have ever
done in my life
because it seemed
nobody wanted
anybody to come. But
I kept trying and
somehow somewhere I
met Emem Isong and
she believed in
Lancelot Imasuen and
I as well and they
started starring me
in their movies and
it just started like
that.
I
write scripts as
well and sometimes
Emem and myself
write together and
while we are writing
she would say 'this
character will be
nice for you to
play,' and then I
would play it.
Lancelot actually
starred me in two of
his movies when I
was young so he
remembered me from
then and he said,
'you know what, if
you were still
around you would
have been on top so
let's take you back
to the top.'
I
made my own movie
with my friend
Blessing Effiong
titled The Rivals
and it won the Best
International Drama
at the New York
International Film
Festival last year.
It was a great
movie; everybody
loved it.
Did you formally
train to be an
actress?
No, I studied
foreign languages.
Acting is just a
talent, something I
have always done
right from when I
was three, in church
or in school; I
would be in every
play. If you don't
put me I don't think
the play would
happen.
What are some of the
movies you did in
the 90s?
I
did Not My Will
and Destined To
Die with Fedilis
Duker, I also did
Another Campus Tale
with Hilda Dokubo. I
can't remember the
others now but these
ones I mentioned I
played the lead role
in them.
Getting back into
the industry, how
did your former
colleagues react?
They were nice to me
but a lot of them
couldn't help, not
because they didn't
want to but because
they were not in the
position to. At
times I would go on
a set and you know
there are so many
new actresses that
didn't know me and
then they might want
to be snobbish
because they thought
I was new. And if
any of my old
colleagues were
there they would
stand up for me. In
one instance Stella
Damasus was there
and she said 'you
guys don't know this
chick, she started
playing lead roles
before I did,' so I
would say they were
actually quite nice.
Do you think what
you studied in
school and your
sojourn abroad has
influenced your
career?
Sure, I believe my
experiences outside
the country helped
me in the way I
write and in the way
I interpret my
characters and when
I write I think
differently. My
English is different
because I read other
people's scripts and
some of them make me
feel, 'what is
this?' I mean we
don't all have to
write and sometimes
I can be blunt and
say 'this script is
not really nice, get
someone to make it
better,' because the
movie starts from
the script. If the
script is not good
then there is no way
the movie is going
to come out good
even if you bring
the best technical
people then it will
be a lousy story
that was beautifully
done.
How do you combine
the work of an
actress, film
producer and
scriptwriter?
I
am more of an
actress than any of
the others, acting
is where my passion
is. I went into
producing because I
wanted to see
something out of the
ordinary, something
that was different
from what I was used
to, I just wanted to
see something nice
that's why I
produced The
Rivals. I will
probably do it
again. Writing is a
hobby, something I
have done since I
was little and it is
not a moneymaking
venture.
Compare Nollywood
then and when you
tried re-entering
it?
Things have changed,
equipments are
better and people
have learnt over the
years. I am not sure
about the stories
though; I do believe
we had better
stories back then
than now because
there were some
really good movies
you can't forget
like Onome
and Amaka Igwe's
Violated. People
still talk about
them till today. I
don't know if we
really have movies
like that nowadays
but in terms of
technology we are
not where we were
before, if you watch
old movies you will
say nollywood has
changed.
What do you think we
need to do now to
better the industry?
We need to be more
professional for
instance so many
people jump from set
to set; you are just
finishing one movie
and you move to the
next one
immediately, there
is no way you are
not going to bring
something from the
last one into the
new one. As it is
you don't have a
breather in-between,
you don't know your
script because you
see it for the first
time when you get on
set. There is no way
you are going to
give a 100 per cent
because you are only
human. I will not
call any names but
some people are the
same no matter what
they are playing. It
may be a different
character but you
are still you, you
are not bringing
anything new to that
character, you are
just playing
yourself over and
over again and
people are beginning
to get bored. They
are beginning to
say, 'I am tired of
seeing so and so
because he is always
like that without
any difference no
matter what he is
playing.'
The producers need
to take time to do
better jobs, they
need to plan well,
not just do like 20
jobs in a year and
do whatever you want
to do. Even if you
are going to do like
three jobs then take
your time; plan it
properly, get the
best, get a good
script, make sure it
is tight then plan
towards that shoot.
If you plan, plan
and plan again when
it is time to shoot
it will go smoothly.
But if you don't
then you experience
chaos within the
shoot. Also, we can
learn especially in
regards to sound;
sound needs to be
dealt with in
Nollywood.
Is there any
difficulty combining
being married and
being an actress?
First of all my
husband is 110 per
cent supportive of
what I do, he trusts
me and he knows its
just my job. At the
end of the day I do
my thing and leave.
I am not going there
to look for a
boyfriend or a
lover. I am not
thinking 'Oh, this
guy is this or
that,' because I am
content with what I
have, which is my
husband. Really, I
can't even see any
guy in the industry
that is better
looking than him or
anything, in my
opinion so why would
I want to go after
an actor. An actor
cannot even fulfil
my needs because he
is always busy so
why would I even
want to go there
when I have someone
who is caring,
loving, sweet and
really good looking;
someone I can look
at everyday and say
thank God I didn't
make a mistake.
How do you think a
married actress can
combine both roles
so that she does not
give less to either
her career or her
home?
I
am not at home a lot
but when I am
everybody knows I
am; the kids know I
am know and my
husband knows
because I am there
for them. I just
make sure that I am
the total wife the
total mother, doting
on everybody. So, my
advice is, when you
are there be there,
you can't be there
all the time even
bankers are not
there all the time
so when you are,
make sure they feel
your presence. Do
not start nagging or
quarrelling when you
are around otherwise
they won't even want
you to be there and
when you are not
around they will
even be happier. So,
when you are there
just be the best
wife and mother you
can be.
What are you working
on and what are we
expecting from you?